![]() ![]() “And because of that, I always understood the importance of clothing, even to women who society thinks don’t care about clothes.” For example, she’ll advise women on dressing for court appearances beyond the simple suit that their lawyers ask them to put on. ![]() “Trauma is very much held in women’s bodies,” she said. in social welfare.Ĭurrently, Slater divides her time between teaching at Fordham University and posting on her fashion blog, but she sees everything that she does as connected. (Today, she prefers Dover Street Market.) At the same time, Slater was also getting her first masters degree in criminal justice, working with women and girls in areas of trauma, and would later go on to get a Ph.D. In college, Slater was a music-obsessed, self-described “hippie” who could be found wearing bell bottoms, platform shoes, and felt hats at Allman Brothers concerts in Van Cortlandt Park, in the Bronx, or milling about on Bleecker street in the East Village with long-haired boys. So, I had a collection of like, 200 medals of every saint and I would form them into designs on my uniform and hang multiple rosary beads from my belt.” She smirked: “They couldn’t say anything to me.” “But the one thing we could do was wear religious medals and rosaries. “We were not allowed to have any adornment, or any way of making ourselves unique,” she recalled. Born in the suburbs of New York, Slater attended all-girl Catholic schools from kindergarten through college she was forced to wear a uniform for much of her early life. But ever since she was a young girl, she’s embodied a rebellious style and attitude that defied conventions. One glance at Slater today confirms she is, in fact, pretty cool. “This project is me saying: I’m not twenty, and I don’t want to be twenty,” Slater explained. “I would rather pressure MAC Cosmetics to think of me as a consumer, than help promote a separate over-50 makeup brand,” Slater declared on a summer afternoon in New York’s Soho, adding she prefers designers like Alessandro Michele of Gucci, (“they made brainy women super cool”) Demna Gvasalia of Vetements and Balenciaga (“he’s a sociologist”) and Jonathan Anderson of his namesake brand and Loewe-all of whom she believes have been progressive about everything from ageism to feminism from the get-go. At Bottega Veneta’s Spring 2017 runway show, the former supermodel Lauren Hutton walked hand-in-hand with her millennial doppelgänger, Gigi Hadid actual daddies walked Balenciaga’s most recent Spring 2018 show in Paris and Elon Musk’s 69-year-old mother, Maye Musk, has a modeling contract with IMG.Īnd while Slater saw this “trend” happening around three years ago when she started her own blog, she claims she didn’t have an ageism-busting agenda-hence the name “accidental” icon-and continues to turn down age-specific work thrown her way. ![]() Starting in 2015, the then 80-year-old author Joan Didion became the face of Céline’s ad campaign Joni Mitchell was tapped for Saint Laurent and a gaggle of Italian grandmothers modeled for Dolce & Gabbana. Even if, as she will tell you, “Age is not a variable.”Īge is certainly in fashion, however. In addition to all this, Slater also happens to be a 64-year-old grandmother with a head of impeccably-coiffed gray hair that she refuses to dye. By her side is usually her partner of 20 years, the Sloan Kettering scientist-turned-photographer Calvin Lom, not to mention an audience of 200,000 Instagram followers. Not only does she wear clothes well with her perfect posture, but she also has access to head-to-toe Issey Miyake outfits that the brand sets aside especially for her, say, or a closet of vintage kimonos that she pairs with oversized sunglasses and costume jewelry. But Lyn Slater of the popular blog Accidental Icon has managed to do so time and time again, and for more reasons than one. It’s not easy standing out in a fashion crowd, where everyone has made a career upstaging the person next to them. ![]()
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